






More works by the artist available at www.auraart.in
This is a blog for those interested in art, Indian and International. It contains pictures and write-ups of various artists, exhibitions and art forms from across the world







More works by the artist available at www.auraart.in








Though in his early works one could see abstractions coming through now and then, it was the human form and the situations of these human beings which anchored him into figuration. His works display a distinct narrative, at times quite representational and direct and at times metaphorical. In some works one can glean the presence of the angst and existentialism which one can see in artists who practiced Modernism from a few decades ago. The way the figures are shown in motion is very reminiscent of Post Impressionist style where the brush strokes dominate and direct the composition as does the play of light and shade in the works.
The mastery of line, form, movement and an air of deep emotion is visible in Krishen Khanna’s misty compositions. The people he chooses to portray seem to be hopeful at times, and at times in complete surrender to their destiny. The musicians often bring about an aching melody which rings in the exquisite lines of the works.
Krishen Khanna is a painter of rarity and immense grace in our times where social issues grind the life force of the common people. It is an inspiration and an honour to see a veteran’s work addressing humane issues over the decades, which he continues to do so, till date.









More works by the artist available at www.auraart.in
Indian sculptor Ranjani Shettar (b. 1977) combines natural and industrial materials—such as beeswax, wood, organic dyes, vegetal pastes, lacquer, steel, and cloth—in her large-scale installations. Typically composed of numerous non-representational forms, Shettar's immersive environments are inspired by her observations of the now-threatened natural environs of rural India.
For Seven ponds and a few raindrops (2017), the artist molded pieces of stainless steel into a series of sensual, curved, amoebic, shape-shifting elements that have been covered in tamarind-stained muslin. Suspended from the ceiling, the work seems to defy gravity, casting a series of mesmerizing shadows, which, from a distance, evoke the sense of having stumbled upon a surreal, hidden-away oasis.
ALSO UPCOMING
http://talwargallery.com/wp-content/uploads/2018/01/ranjanithumb1-150x150.jpg
RANJANI SHETTAR
On and on it goes on
@TALWAR Gallery, New York
March 10 - June 30, 2018