SEASON'S GREETINGS FROM FAURSCHOU FOUNDATION BEIJING MERRY CHRISTMAS & HAPPY NEW YEAR

SEASON'S GREETINGS FROM FAURSCHOU FOUNDATION BEIJING

MERRY CHRISTMAS & HAPPY NEW YEAR

林冠艺术基金会 哥本哈根 | FAURSCHOU FOUNDATION COPENHAGEN

路易斯· 布尔乔亚 | LOUISE BOURGEOIS

孤身与共处 | ALONE AND TOGETHER

05.09.2013 - 14.02.2014 

林冠艺术基金会 北京 | FAURSCHOU FOUNDATION BEIJING

加布里埃尔·奥罗斯科 | GABRIEL OROZCO

旧轮胎 | CHICOTES

28.09.2013 - 23.03.2014

798 Art District No.2 Jiuxianqiao Road Chaoyang District Beijing 100015 T +86 10 59 78 93 16 F +86 10 59 78 93 14

Tuesday - Sunday

10.00 - 18.00

beijing@faurchou.com

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北京市朝阳区酒仙桥路2号798艺术区100015

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传真 +86 10 59 78 93 14

周二至周日，上午十点至下午六点beijing@faurchou.com

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Nasreen Mohamedi BECOMING ONE September 13 through November 23, 2013,New York

Nasreen Mohamedi BECOMING ONE September 13 through November 23, 2013 Opening Preview, Friday, September 13, 6-8pm @ TALWAR GALLERY 108 East 16 Street New York 10003 www.talwargallery.com       Talwar Gallery is delighted to present Becoming One, an exhibition of photographs, drawings and the diaries of Nasreen Mohamedi (1931-1990). Drawn from across her practice the works on view offer a unique insight into the focused vision that characterizes her oeuvre, including some of her last works and some that have never before been exhibited.  Possessing a totality of perspective, unity of thought and action, and absolute surrender to purpose, Mohamedi continued her unflinching quest to examine, inquire and strive for a cohesion of all that was – inside or outside, human or beyond. Whether creating with ink on paper or through a lens on film, she strove to bring together what seemed singular and separate to a connected, co-dependent whole. This was a constant and a continuous process where time did not matter and space was infinite, not one with a destination but a direction. Mohamedi distilled the structure and order around her to an essence, of form. ThePhotographs, neither representational nor abstract, are sited in simple encounters of the tangible, pared down to light and dark, seeming to reveal universal truths beyond the logical. Intensely personal, and as controlled as the gaze of the artist, they reach outside the self, to perceive and connect. The convergence of individual and nature, form and space that emerges from her photographs is further revealed by the recently discovered photographs by Mohamedi of her own drawings. This inverted gaze, reversing the processes of her practice, instills a remarkable equilibrium to her oeuvre, leading the curve to a complete circle.    Her drawings, modest in scale and monumental in experience, are palpable, living systems. In the Series on graph paper they seem like embryonic stages of a life form, continuously connected to the one before and after, almost identical except for the gentle variance of a single breath of a line.    The intimate palm-sized scale of Mohamedi’s Diaries (1968-1988) are in contrast to the immensity of what they hold. Spanning over two decades, they astonish and underscore the strength and consistency of Mohamedi’s focus and commitment. On these pages, words and forms, inspirations and struggles, life and art coexist – poetic, humbling and exhilarating. Here Nasreen Becomes One.    Mohamedi returned to India in the early 1960s after studying in London and Paris. Open and inquisitive, she embarked on a practice with no precedent in the narrative art dominant in the India of the times. Sensitive to the barely perceptible while resolute to her vision, Mohamedi created a distinctive space for herself, which would later mark a pinnacle for Indian art and become essential for modernism.     Nasreen Mohamedi was born in 1937 in Karachi, India and passed away in 1990 in Kihim, India. Her works have been on view in exhibitions and institutions worldwide, including the Museum of Modern Art (MoMA), New York, NY; Queensland Art Gallery, Brisbane, Australia; Documenta XII, Kassel, Germany; Drawing Center, New York, NY; Museum of Contemporary Art, Los Angeles, CA; Hammer Museum, Los Angeles, CA; Fotomuseum, Winterthur, Switzerland and Walker Art Center, Minneapolis, MN. Currently an exhibition of her works is on view at the Kiran Nadar Museum of Art in New Delhi. This is the artist’s third solo exhibition with Talwar Gallery over the last decade.     The Estate of Nasreen Mohamedi is represented by Talwar Gallery.

Printmaking Colloqium at NGMA , Mumbai, on 24th Aug 6 pm

Art Thursday at Sakshi Gallery

Kalaghoda Arts Festival Feb 2013 , Mumbai,India