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Monday, June 29, 2015

Clark House Bombay : 'Soulmates (within time)'/ Lisa Mara Batacchi

Clark House Bombay : 'Soulmates (within time)'/ Lisa Mara Batacchi - preview.
11 June 2015 
6 - 10 pm  

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Bull and Bird ,  5.5 inch by 7.5 inches , Krishna Reddy ; Early 1950s printed 2015 by Nikhil Raunak

Clark House Initiative
A Presentation by Nikhil Raunak


Tuesday, June 9, 7pm
Asia Art Archive in America
43 Remsen Street, Brooklyn, NY 11201
$5 suggested donation
Please RSVP here


Clark House Initiative is a curatorial collaborative and a union of artists based in Bombay. Established in 2010 by Zasha Colah and Sumesh Sharma, it is located in a building that was formerly an office of pharmaceutical research, an antiques store, and the shipping office of the Thakur Shipping Company that had links to countries in the Middle East, Eastern Europe and Japan. Curatorial interventions in the space hope to continue, differently, these histories of internationalism, experiment and research.
 
Please join us for a presentation by Nikhil Raunak
 
​artist member 
 of Clark House Initiative. He will reflect on the 'Workshop Model', a method of engaging with public and regional institutions in India. This model was developed by Clark House Initiative, with Anant Nikam at the printmaking studio of Sir JJ School of Art, and acknowledges the legacy of the workshops of the artist and pedagogue Krishna Reddy.  
 
Nikhil Raunak (b. 1988) is a multi-discipline artist 
​ ​
 who graduated in 2011 from Sir JJ School of Art, Bombay in painting and printmaking 
​. ​
 Raunak is also founding member of Bombay-based artist collective 'Shunya'. Shunya, meaning 'void', is used to define a mathematical concept of nothingness. The title explains a beginning from a point of neutrality. Shunya was formed in 2012. Raunak is a recipient of Inlaks Fine Art Award 2015 and participated in numerous exhibitions including Arranging Chairs for Ai Wei WeiICU-JestKochi-Muzirius Biennale 2012we have arrived nowhereTransnational PavilionVenice Biennale 2013, and INSERT-2014 Mati Ghar New Delhi 2014.

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First of the Clark House Krishna Reddy-Judy Blum Fellows, Nikhil Raunak will began his residency in New York this April for 3 months, during which he researche and used the studio facilities at Flux House 2. The residency is supported by Judy Blum and Krishna Reddy for young artists to come live and practice in New York. Raunak will archive Reddy's drawings and prepare a project on experimental printmaking through his interactions with Reddy. Nikhil Raunak (1988) often works with cryptic codes that critique conceptual practice in the arts, inventing languages, creating videos and drawings that all stem from his study of graphic printmaking and portraiture.  
Bull and Bird , was a Copper Plate was made by Krishna Reddy was trying to experiment with various carving tools. The bull is accompanied by a small dead bird carved under. The plate was lost and was then returned by Reddy's student Mark Johnson who found it at the New York University and he returned it to Judy Blum and Krishna Reddy. Nikhil Raunak collaborated with Reddy to print 22 editions of line etchings from the plate which had never been published before.

 

Gulf Labor Artist Coalition


Letter from sixty+ curators, critics and museum directors to UAE art institutions, and their affiliates

June 1, 2015
To:
Abu Dhabi Tourism and Culture Authority, Abu Dhabi, UAE
Tourism Development & Investment Company, Abu Dhabi, UAE
The Solomon R. Guggenheim Museum and Foundation, New York, NY, USA
New York University, New York, USA
New York University Abu Dhabi, Abu Dhabi, UAE
Agence France-Muséums, Paris, France
Musée du Louvre, Paris, France
Sharjah Art Foundation, Sharjah, UAE
Art Dubai, Dubai, UAE
Recently, artists Ashok Sukumaran and Walid Raad were denied entry to the UAE on grounds of “security”. This comes after NYU professor Andrew Ross was similarly barred from flying to Abu Dhabi in March. Sukumaran and Raad have a long history of vital and sustained engagement with the UAE, often on the invitation of your institutions. Ross is a professor of standing in New York’s academic community. It appears that the reason these three members of our global arts and academic community were denied entry to the UAE is their involvement with the Gulf Labour Coalition.
As you know, Gulf Labour is an artist-initiated group that has been active since 2010, asking museums and institutions being built on Saadiyat Island to create better conditions for their workers. These conditions of the creation of a cultural world should be of concern to us all, and the proposals of artists in this regard should be seen as a matter of debate, not of “security”. We assert that artists and academics should be allowed free passage to conduct research and work that is done in a peaceful and productive manner.
We the undersigned oppose the barring of Ashok Sukumaran, Walid Raad and Andrew Ross from the UAE. We state that denying artists visas, stopping and deporting them after years of their work in the region, creates a chilling precedent and makes it difficult for arts and academic institutions in the UAE, and those working with the UAE to claim regional dialogue and artistic freedom. We urge your institutions to work with the concerned authorities to lift these bars on their travel.
Sincerely,
Achim Borchardt-Hume, Director of Exhibitions, Tate Modern, London
Andrea Lissoni, Senior Curator International Art (Film), Tate Modern, London
Andrea Thal, Artistic Director, Contemporary Image Collective, Cairo
Anne Pasternak, President and Artistic Director, Creative Time, New York
Anselm Franke, Head of Visual Art and Film, Haus der Kulturen der Welt, Berlin
Anton Vidokle, Founder, e-flux, New York
Bartomeu Marí, Director MACBA, Barcelona
Beatrix Ruf, Director Stedelijk Museum, Amsterdam
Carin Kuoni, Director, Vera List Center for Art and Politics, The New School, New York
Charles Esche, Director, Van Abbemuseum, Eindhoven
Charles Guarino, Publisher, Artforum Magazine, New York
Chris Dercon, Director, Tate Modern, London
Christine Van Assche, Chief Curator-at-Large, Centre Pompidou, Paris
Claire Hsu, Founder-Director, Asia Art Archive, Hong Kong
Defne Ayas, Director, Witte de With – Center for Contemporary Art, Rotterdam
Dennis Lim, Director of Programming, Film Society of Lincoln Center, New York
Doryun Chong, Chief Curator, M+ Hong Kong
Emilie Villez, Director, Kadist Art Foundation, Paris
Eva Franch, Chief Curator and Executive Director,  Storefront for Art and Architecture, New York
Eva Respini, Barbara Lee Chief Curator, Institute of Contemporary Art, Boston
Fawwaz Traboulsi, Writer and Historian, American University of Beirut, Beirut
Franck Gautherot, Co-director Le Consortium, Dijon
Geeta Kapur, Critic and Curator, New Delhi
Glenn Lowry, Director, Museum of Modern Art, New York
Hammad Nasar, Head of Research & Programmes, Asia Art Archive, Hong Kong
Hila Peleg, Curator, Documenta 14, Kassel and Athens
Iftikhar Dadi, Professor, Department of History of Art, Cornell University, New York
Jean-Marc Prévost, Director, Carré d’art, Nîmes
Jeebesh Bagchi, Monica Narula and Shuddhabrata Sengupta, Raqs Media Collective, New Delhi
Jenelle Porter, Mannion Family Senior Curator, Institute of Contemporary Art, Boston
Jill Medvedow, Ellen Matilda Poss Director, Institute of Contemporary Art, Boston
Jitish Kallat, Artist and Curator, 2nd Kochi-Muziris Biennial
Kate Fowle, Director-at-Large, Independent Curators International, New York
Kathy Halbreich, Deputy Director, Museum of Modern Art, New York
Koyo Kouoh, Artistic Director, RAW Material Company, Dakar
Lars Nittve, Executive Director, M+ Hong Kong
Laura Raicovich, Director, Queens Museum, New York
Lucy R. Lippard, Critic and Writer, Galisteo
Maha Maamoun, Board member, Contemporary Image Collective, Cairo
Mai Abu El Dahab, Director, Young Arab Theatre Fund, Brussels
Mami Kataoka , Chief Curator, Mori Art Museum, Tokyo
Maria Lind, Director, Tensta Konsthall, Stockholm
Marie Muracciole, Curator, Director of Beirut Art Center, Beirut, Lebanon
Marta Kuzma, Rector, Royal Institute of Art, Stockholm
Nancy Adajania, Cultural theorist and independent curator, Mumbai
Natasa Petresin-Bachelez, Independent curator, editor of L’Internationale Online, Paris
Nato Thompson, Chief Curator, Creative Time, New York
Negar Azimi, Senior Editor, Bidoun, New York
Nicholas Serota, Director, Tate, London
Patricia Falguieres, Professeur à l’École des Hautes Études en Sciences Sociales, Paris
Pooja Sood, Director, Khoj International Artists Association, New Delhi
Rana El Nemr, Board member, Contemporary Image Collective, Cairo
Ranjit Hoskote, Cultural theorist and independent curator, Mumbai
Sabine Breitwieser, Director, Museum der Moderne Salzburg
Sebastien Delot, former Modern and Contemporary Art Curator of the Louvre Abu Dhabi, Head of the Collection of The Musée d’Art Moderne et Contemporain Saint Etienne
Seungduk Kim, Co-director Le Consortium, Dijon
Sharmini Pereira, Director, Raking Leaves, Sri Lanka
Sheena Wagstaff, Chairman of the Department of Modern and Contemporary Art, Metropolitan Museum, New York
Solange Farkas, Director/Curator, Associação Cultural Videobrasil, Sao Paulo
Sukhdev Sandhu, Film critic and writer, New York University, New York
Sumesh Sharma and Zasha Colah, Clark House Initiative, Mumbai
Sunjung, Kim, Artistic Director, Asia Culture Information Agency of Asian Culture Complex, Gwangju
Tasneem Zakaria Mehta, Managing Trustee & Honorary Director, Dr. Bhau Daji Lad Mumbai City Museum, Mumbai
Ute Meta Bauer, Founding Director, NTU Centre for Contemporary Art, Singapore
Vasıf Kortun, Director of Research & Programs, SALT, Istanbul and Ankara
Yasmine Eid-Sabbagh, Vice-President, Arab Image Foundation, Beirut
http://gulflabor.org/timeline/

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